And the latest spin-off of Fast & Furious has just been officially released – the story surrounding a gun-immune man on a motorcycle with the ability to transform trying to chase a woman who has just injected herself with an injection. A programming virus capable of 𝓀𝒾𝓁𝓁ing all life on Earth.
This is not a huge improvement in content. Fast & Furious Presents: Hobbs & Shaw is essentially the 9th film in the hit racing franchise, bringing back the dusty street chases both literally and figuratively. In Hobbs & Shaw , nothing less than the future of the world is at stake, along with a series of chases, fights, and shootouts between the doomed pair.
Dwayne Johnson stars as Hobbs, a burly DSS agent who is said to be the best tracker in the world. Jason Statham as Shaw, a s𝓀𝒾𝓁𝓁ful, loyal spy who is a no-nonsense man; he 𝓀𝒾𝓁𝓁ed one of the beloved characters of the Fast & Furious franchise, but he’s now mostly on the side of justice and has been forgiven for that heinous crime.
The two first teamed up in The Fate of the Furious , where their Riggs and Murtaugh-like relationship helped revive what was arguably a disappointing film. This time, they reluctantly have to pair up again to search and save a woman infected with a super virus – who happens to be Shaw’s lost sister Hattie (Vanessa Kirby ) .
The “lost” element can be seen as the key to the entire film. Any Fast & Furious viewer will tell you that “family” – not gasoline or NOS – but finding and protecting your family – is the main fuel of this fictional universe. Hobbs also has his own family to protect; 25 years ago, he left his family on the island of Samoa under mysterious circumstances and never returned. If you’ve seen the Hobbs & Shaw trailer, you know his life in exile won’t last much longer.
Their main enemy works for an evil corporation called Etheon that’s ridiculous even by Fast & Furious standards. This shadowy organization wants what seemingly every bad guy wants these days: Wipe out most of humanity to avoid an environmental disaster that would 𝓀𝒾𝓁𝓁 the entire planet.
The movie’s main villain is the aforementioned bulletproof man with a physics-defying motorcycle – basically, it’s a cube of Energon trying to be a real Transformer . That is Lrix Brixton Lore (Idris Elba), who proudly calls himself Black Superman. Based on the specific evidence on screen, there is nothing wrong with that. Augmented with all kinds of mechanical limbs and organs, it’s completely beyond our two heroes’ ability, especially when they both don’t want to stand next to each other and refuse to cooperate. together.
This is Buddy Movie 101 material, taken straight from the formula that has dominated action movie success for decades. However, each movie will have a different application; There’s a reason these types of movies have remained consistently popular over the past decade. In this case, we have Johnson and Statham, two people who are not physically or emotionally compatible in any way.
Their jokes can be funny – this type of movie used to be R-rated, mainly because of the overly suggestive language – but the way these men portray their characters and their respective personalities the two create an impressive series of interactions and banter. And director David Leitch (the man behind Atomic Blonde, Deadpool 2 ) has helped create humorous scenes with split screens and side-by-side edited fight scenes in which Hobbs and Shaw each try to achieve their goals. achieve different goals at the same time.
It would be great if Hobbs & Shaw had a simpler and more humane plot. Although co-writer Chris Morgan has been in the Fast & Furious franchise longer than most at this point, his script this time around (co-written with Drew Pearce) sometimes forgets that the appeal of This movie is all about the breathtaking car chases.
In Hobbs & Shaw , there are passages that make viewers think about the MacGuffin and various plots rather than enjoy the familiar racing scenes. The action is spectacular, but there’s none of the admirable madness like the tank chase in Fast & Furious 6 or the skydiving cars in Furious 7.
Whether or not audiences will coordinate to change their lives as a result of the monologue delivered by The Rock in the 9th film of the food racing franchise is highly unlikely, but probably still will. there is reasonable time for the audience to receive the message. In baseball, there is a statistic called “wins above replacement,” which measures the value of any player on a team by comparing them to a player at the average replacement level. or another person in the same location. A pitcher with a WAR of 5.0 is worth five wins to his team.
Hobbs & Shaw is the movie version of an alt-level player. It’s satisfactory but not exceptional. It is no longer a version of what this series should be, now it is no longer a story about an undercover cop chasing a thief.
